It is important, at this point, to remind “us”, including “me”, “we” speak of Walt Whitman’s Mannahatta because it is Mannahatta which unites “our” protagonists, Adair Kellström and Ghislaine Maxwell. Specifically, but not perfectly, at 9 East 71st Street, Manhattan. Manhattan!
“Our” protagonists are women. These two women probably never reflected on the Man in Manhattan.
Maybe that was their problem: their real defect! Because of this, it was all their fault. They could have joined the liberatory campaign of the day, focussing consciousness on the repression and oppression of naming “their” island, MANhattan. Because they did not, there must be the most exacting, strengulous, bad hair day image raping of the two of them. They’ll be made an example.
Ghislaine, with her high style and high stylists, and great dental work, looked “good”. A billionaire t’would love her, t’would frisk with her. Would whisk her, for her brisket, into a tumbly-jumbly bushy delta, but after time in a ghetto misprision, her hair hanging low, not twiggling to and fro, the “people” get what they want, and it looks like this,
Spam of Human Affection 
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